Recent Reviews
The Names by Florence Knapp
Can a name change the course of a life? This is the profound question Florence Knapp investigates in her novel The Names. Spanning thirty-five years, the book employs an inventive structure to reveal how a single decision can create subtle, subconscious feelings that seep into family relationships. With remarkable skill, Knapp illuminates the ways emotional signals shape the dynamics within a family.
At the heart of the story is Cora Atkins, a mother trapped in an abusive marriage. As she prepares to register her newborn son's birth, she contemplates three possible names for him: “Bear,” suggested by her nine-year-old daughter, Maia; “Julian,” meaning “father sky,” which is Cora's personal preference; or “Gordon,” the name of her husband and his father. The novel delves into each of these naming possibilities. Chapters alternate between scenarios in which the boy is named Bear, Julian, or Gordon. Every seven years, the narrative revisits the boy’s life, effectively presenting three interwoven novellas within a single novel.
While the narrative contains elements of hope, the overall tone is heavy and challenging. Cora’s husband, a respected physician, is an abusive narcissist. The father’s attitude toward his son shifts based on the chosen name ranging from derision or indifference or pride. The boy’s mother and sister also treat him differently in each scenario. Ultimately, the novel is less about the importance of a name and more about the consequences of domestic abuse on children. The true focus is on Cora’s response to her husband’s abuse and whether she chooses to leave or remain. This shapes the family’s complex dynamics and influences her children’s futures.
The Names is a haunting novel. Though at times painful, it is written with skill and rouses deep reflection. By the conclusion, the story offers glimpses of hope and the possibility of healing. Overall, it is a compelling and well-crafted novel. 4/5.
Stone Yard Devotional by Charlotte Wood
Reading Charlotte Wood’s Stone Yard Devotional was a wonderful way to start the new year. The recommendation came from Julie, my kindergarten friend, and I am grateful for the suggestion. Shortlisted for the Booker Prize in 2024, this contemplative novel describes one woman’s effort to come to terms with her life. Much of the story’s strength lies in Wood’s beautiful writing and her remarkable ability to give meaning to all that is unspoken.
The narrator of Stone Yard Devotional is an unnamed woman who find herself amid a personal crisis. This is not the impulsive, reckless midlife crisis often depicted in fiction; rather it is a profound moral reckoning. Having left both her husband and her job in Sydney, she seeks solitude and reflection in an isolated religious community in New South Wales, close to where she grew up. Although she does not consider herself religious, she discovers a sense of peace through the daily rituals and practices of the nuns with whom she now lives. The story is intentionally sparse in its cast of characters and plot developments. Some might say little happens, but in the empty quiet space of her new life, the narrator has time to think. Her thoughtful and incisive reflections form the inner engine that propels the book forward.
Throughout the novel, the narrator contemplates the choices she has made and the ways she’s treated people over the course of her life. The enduring weight of grief and guilt over her parents ‘deaths is a constant presence in her thoughts. Meanwhile the minor events and conflicts within the community take on new meaning. Ultimately the book is a mediation on both living and dying. The slow pace and emotional clarity of Stone Yard Devotional make the novel feel almost like a meditation. A thoughtful and moving read. 4.5/5
HAPPY HOLIDAYS!
Happy Holidays. Hoping that 2025 was filled with family, friends and many enlightening books. Thanks for visiting
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Warmly, Kathy
“I declare after all there is no enjoyment like reading!” — Jane Austen
“Reading fiction not only develops our imagination and creativity, it gives us the skills to be alone. It gives us the ability to feel empathy for people we've never met, living lives we couldn't possibly experience for ourselves, because the book puts us inside the character's skin.” — Ann Patchett
