
Recent Reviews

The Trouble With Goats and Sheep by Joanna Cannon
“Mrs. Creasey disappeared on Monday” is not a surprising first line of a mystery novel. However, The Trouble with Goats and Sheep by Joanna Cannon is only part mystery. It is also a coming-of-age story with religious and psychological themes. This gem of a novel set in 1976 with flashbacks to 1967 reveals more about the mysteries of people than the fate of Mrs. Creasy.
Soon after we learn of Mrs. Creasey’s disappearance in the sweltering summer of 1976, we hear this exchange between Grace and Tilly, two 10-year-old friends who live on the same Avenue in a suburb of London.
“Why do people blame everything on the heat?” said Tilly.
“It’s easier,” I said.
“Easier than what?”
“Easier than telling everyone the real reasons.”
Worried and confused about their neighbor’s disappearance, these innocent, yet precocious girls decide to spend their summer discovering what happened to Mrs. Creasey. With encouragement from the Vicar, they also search for God because “if they find God, everyone on the Avenue will be safe.” Their investigation begins when they slither into a neighbor’s funeral and hear from the 25th Chapter of Matthew, “All the nations will be gathered before him (Jesus). He will put the sheep on his right and the goats on his left. Then he will say to those on his left, Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels. (This passage makes me angry for its cruelty and simplicity.)
Posing as Brownie guides, Grace and Tilly travel from house to house (Colombo style) interviewing and eavesdropping on their Avenue neighbors. In #6 they encounter Eric Lamb, who is obsessed with his garden but is really just grieving the death of his wife. In #10, they encounter Mrs. Roper who appears lazy and lethargic, but is actually mourning the car crash that killed her husband, but not the woman with whom he was having an affair. The girls even visit Walter Bishop who lives in #11 and was falsely accused in 1967 of kidnapping and returning a baby from the Avenue.
As a psychiatrist, Cannon understands that the Avenue’s residents are projecting their own fears and inadequacies onto Walter Bishop. They coalesce around harassing Walter Bishop because he is different. Now they blame him for Margaret Creasey’s disappearance. His persecution reminds me of Boo Ridley’s harassment in To Kill A Mockingbird.
I won’t divulge what happened to Mrs. Creasey. However, it is clear that before she disappeared, she acted like a psychologist to her neighbors. She listened to their fears and worries and helped them manage their shame and stress. Since they have all shared secrets with her, her neighbors worry that she has disclosed their personal struggles and their organized harassment of Walter Bishop to the police.
Joanna Carson’s wonderful novel exposes the deeper reasons for the neighbors’ behaviors. She focuses on the wide gap between what people surmise is happening in their neighbor’s lives and the reality. Cannon’s novel is trying to tell us that we are all goats and all sheep. All people have pain and suffering in their lives. The “suspects” that the girls encounter are mostly good but have their own secret struggles: Alcoholism, bankruptcy, OCD, bullying, death, anxiety and betrayal. The avenue is like a microcosm of the larger world. People put on their public face to mask their underlying pain. Cannon keeps the tone light, but her message is heavier. This book made me recall another biblical passage that sums up Cannon’s novel “Let he (or she) who is without sin cast the first stone.”

The First Desire by Nancy Reisman
Goldie Cohen is missing from her family’s home in Buffalo, New York. We learn this fact in the first few pages of Nancy Reisman’s absorbing and compelling novel, The First Desire. The year is 1929 and Goldie’s disappearance has thrown the Cohen family into turmoil. In her late twenties and the oldest of five adult children, Goldie directs the household after the recent death of their mother Rebecca. Has Goldie been kidnapped, has she fallen victim to a tragic accident or has she simply left?
Sister Sadie posts signs and notifies the police. After just a couple of weeks and deaf to the pleas of his grown children, Goldie’s father, Abe Cohen, decides that the family will sit Shiva. With this public pronouncement that “Goldie is dead to him", we learn that Goldie’s father believes Goldie has left the family. Abe Cohen’s patriarchal decision-making process gives us our first glance at his stubbornness, inflexibility and the emotional impact on his family.
Abe and Rebecca Cohen were born and raised in Poland where family traditions were rigid and choices few. The reliable routines of the Cohen’s family life in Buffalo provide both an oasis and a prison for the family. Except for Sadie, who lives with her husband Bill and their two daughters across town, the other four siblings live and work with their widowed father in the family jewelry store. Though the Cohen family members’ lives are intertwined, they each live on their own emotional island. They need each other and they resent each other. Their freedom is constrained by money, societal norms, and the customs of their Jewish faith.
However living in Buffalo, not Poland, has allowed these five adult siblings to consider their own needs. So though they remain diligent and dutiful to the family, they feel stifled and suffocated. By our modern sensibilities, they should enjoy the family camaraderie. Instead, the siblings feel oppressed by their roles and responsibilities. They experience the sweetness of being known by their family while seeking anonymity. The freedom to reinvent oneself or seek a new direction seems impossible. These adult siblings feel frozen in time; their maturation stunted. In addition, as the years pass, the shadow of anti-Semitism in the United States and the horrors in Europe hover in the Buffalo air.
Reisman’s novel explores the family interactions to offer an explanation of WHY Goldie did what she did. By probing into each of the character’s perspective (including Goldie), Reisman strengthens our understanding of their needs and longings. Their desires seem to center around autonomy and sexual fulfillment. Reisman describes her character’s daily thoughts and deeper aspirations with empathy and compassion.
I loved the aching humanity of this novel. I wish Reisman had delved into the details of these siblings’ early years, as it would have given readers a greater understanding of the dynamics between the family members in their adulthood. Yet, Nancy Reisman’s The First Desire beautifully illustrates how family love can both comfort and smother.

Badenheim 1939 by Aharon Applefeld
Some books entertain us. Some books teach us. Some warn us. In 2018, as our democratic norms are under attack, Badenheim 1939 feels like a warning siren. Author Aharon Applefeld should know. He lived through the Holocaust and then moved to Israel.
In the spring of 1939, the fictitious town of Badenheim near Vienna is preparing for its annual summer concert season. Europe’s best classical musicians, many of them Jewish, will perform. Because we know what awaits the musicians, their Jewish patrons and the whole of European Jewry, the book has a dark, absurdist and ominous mood. After all, it is 1939!
Appelfeld characters are neither heroes nor villains. What they have in common is their myopic focus on the minute details and larger plans of their own live, oblivious to the horrors to come. The dialogue focuses on the dimensions of the upcoming summer arts program: the artists, the pieces, and the instrumentation. Hitler, who is never mentioned, will invade Poland by fall.
As the season changes to fall, those who are Jewish are not allowed to leave Badenheim. Then there is a shortage of food. Then, mail and newspapers are no longer delivered. The insularity allows the citizens and guests of Badenheim to comfort themselves with stories emanating from their hopes but not from facts. They are told to register with the Badenheim authorities and the word Jew creeps into the language. Who is Jewish? Who isn’t it? The capricious authorities begin to decide who must stay and who can leave Badenheim.
Denial dominates the story. Eventually the Jews are told they are going to be sent to Poland. Those trapped in Badenheim imagine that they will board trains and arrive in Poland where they will begin their lives anew. The musicians will find receptive new audiences and many others will reconnect with their homeland. Some of those confined to Badenheim view their forced departure as a positive development.
Appelfeld does not mock his characters, but rather highlights the universal human trait of denial, both as necessity and tragic flaw. As the musicians and tourists soon experience the daily encroachments of their personal freedoms, they seem incurious (or maybe petrified) of what their entrapment might signal and they simply adapt to each new diminishment of their rights. You can’t blame them. No one could have imagined the depravity and horrors of the Nazis and their enablers. Even if the residents and visitors of Badenheim knew what was coming, could have stopped the horror of Hitler and the Holocaust?
Like a Kafka or Orwellian novel, there is an ominous and absurd tone that permeates the novel. Because Appelfeld’s readers know the barbarity waiting in Poland, the book is terrifying. From the opening chapter, I wanted to climb into the novel and tell the characters to stop talking about the summer musical performances and leave Europe immediately. But they cannot. It is too late